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#1005: Blood Waters Of Dr. Z
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Welcome to the wacky wonderful world of Dr. Z, a bitter nutball of a
scientist who lives in Florida and - what else? - oh yeah, he wants to
turn himself into a giant man-fish. Why, you ask? In addition to the
usual reasons people do this, Dr. Z wants to "get revenge on his friends"
- at least that's how the John Prine-like folk song at the beginning of
the movie explains the premise. Apparently he was denied tenure and/or
permission to use humans as experimental subjects. So quite logically, he
goes the giant man-fish route, intending to lead an army of squirmy
walking catfish on to world conquest. Wouldn't you, if you found yourself
in his position? Be honest, now.
Anyway, after some very long expositional voice-over monologues, Dr. Z -
who is never identified by that name in the movie - succeeds in turning
into a man-fish by stripping down to his lumpy boxer shorts and immersing
himself into an indoor tank full of icky, mad-scientist treated water.
The elaborate level-and-pulley system he uses to dunk himself in the water
shows that he has thought this through well, and is quite serious about
being a man-fish. It's not the kind of thing one should take lightly, is
what the movie seems to be saying.
He succeeds in turning into a man-fish, though he seems temporarily
disheartened that his dreamed-of resemblance to a catfish wasn't achieved.
These are the kind of
disappointments that stop other mad scientists cold,
wallowing in their own self-pity for weeks. But damn it if Dr. Z doesn't
just pull himself up by his shin-fins and keep his eye on the prize,
whatever that is. In no time he is swimming around mucky lagoons spraying
ZaAt, a compound which will - what? Turn fish into half-men? Make them
bigger, more aggressive? Give them opposable thumbs and a taste for
Geno's Pizza Rolls? You'll have to ask him. In any case, he at least
seems to have prioritized his work nicely with a large paper wheel which
functions as his Franklin Day Planner: full of nice homemade graphics,
notes to himself, and done in suitably large magic marker. His sketches
of victims-to-be show that Dr. Z. most likely graduated from one of those
matchbox art correspondence schools.
So once the spraying is done, he checks the wheel and moves on to his next
two goals. First on his "to-do wheel" is to kill two former colleagues
who doubted his work. Mad scientists, as you probably know, have famously
thin skins and shaky ego boundaries. This murdering he does with great
dispatch, though no particular elegance - just a couple of pimps slaps by
his beclawed hand, and those who have wronged him go down hard. And
probably a little embarrassed.
But he also wants a fish-lady queen. Yup, our man wants to spawn, baby.
Hell, who doesn't? But rather than hitting Florida singles bars, where
his fishy visage might not make him much of a chick magnet, he kidnaps a
busty bikinied blonde and tries to make her into Mrs. Fish. Alas, he
kills her by accident. These things happen, to be sure - ask Kevin
sometime about some of his similar mishaps - but from here Dr. Z is really
off his game, and the to-do wheel stands in mute irony as his plans go
ker-flooey.
I forgot to mention - there are other humans in this film, or at least
pale simulacrums thereof. There's a redneck sheriff working with a black
scientist who is almost ridiculously patient with his racist innuendo;
then two other bland jumpsuited white scientists who join the hunt for
Fish-Guy halfway through the movie. (Note: people who habitually wear
jumpsuits are always suspect, in my book.) The white guy just rides
aorund on the runner of a truck sticking a microphone out; the white girl
almost undresses but doesn't and is eventually captured by our buddy Dr. Z
as his new FishLadyQueenHoneyBabe. In the end everyone's dead or dying,
especially us.
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Prologue:
Crow takes up chewing tobacco, spitting big gooey wads of it into an array
of pop cans -- and then, to our horror, into Mike's shoe.
Segment One:
Servo accidentally drinks out of Crow's pop cans full of tobacco-ey spittle,
further ruining our dinners.
Down in the castle, Pearl performs an experiment
in withholding love to the SOL. Servo and Mike feel no difference, but Crow
panics until they get back the symbols of her love--lemon-flavored gin, hot
pads, a pawn shop receipt for a shotgun, etc .
Segment Two:
Crow, hiding in the rafters, taunts and threatens Mike a la Dr. Z's voiceover monologue. Mike,
trying to polish his shoes, is mostly annoyed. And then of course, as per
tradition, Crow falls down.
Segment Three:
Inspired by the fishing scenes in the movie, Mike and 'Bots
orbit over Bass Lake, trying to catch some sunnies. Nice day for it,
after all. Mike catches one and reels him waaaaaay up from Earth.
Unfortunately, the fish freezes in the upper atmosphere and goes through
explosive decompression. Gotta throw 'im back, yah. Yer gonna see dat.
Segment Four:
Disappointed by the movie's teasing shots of women starting to
take off clothes and then not doing it, Servo and Crow try to convince a
skeptical Mike that any movie scene is better off with nudity. To demonstrate,
they enlist Brain Guy and Bobo into performing a scene from Glengarry Glen Ross,
starkers. Needless to say, it does not make their case.
Segment Five:
Taking a cue from Dr. Z's neat, portable ZaAt cases, Servo and
Crow show Mike a variety of handy plastic food carrying cases, in just the right
sizes and shapes. They explain it to him long, long after he's gotten the point.
Down in Castle Forrester, Pearl has invented a Mer-Monkey, using a giant
grouper, a Sawzall, and a Bobo. Seeing that Bobo now attracts lonely
rugged sailor men, she decides she will be become half-grouper herself,
enter mermaidenhood, and get some old salt action.
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I had a slight fondness for this movie, not as a movie per se, of course,
but as fodder for that particular little thing we had going, many years
ago. (Well, a month and a half ago, as I write this...) It seemed to
have lots of the things that make for a good solid day of MST-ing: a
pompous mad scientist; a ridiculous, badly costumed monster; a fat redneck
sheriff; a few vapid good-looking heroes; and a nice silly theme song.
At least compared to some of the others we watched for Season 10, this
seemed benign.
The most memorable host segment for me, based on the experience, was
Segment 4, Bobo and Brain Guy's nude scene. One technical note: it was
always a challenge for our brilliant director of photography, Jeff
Stonehouse, to light scenes with both Bobo and Brain Guy, as their colors
were so aggressively different. After Season Eight, we made some
adjustments with make-up and masks so that Brain Guy wasn't wearing clown
white but a slightly more flesh-colored white; and Bobo was given a
somewhat lighter face mask. So that helped. But once "nude" - what with
Brain Guy's pasty torso (and for the sharp of eye, actual purple nipples -
eeewwww!) and Bobo's dark full body ape suit - the challenge was back, and
worse than ever. So poor Bobo was almost invisibly black.
Leaving Brain Guy all too visible. My god, I apologize! None of you did
anything to deserve that. I'm so sorry.
- Bill Corbett
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