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Movie Summary  Movie: Samson Vs. The Vampire Women:  A lovely young woman is doomed by an ancient curse; she is to become undead and join one of the then-popular all-woman vampire clubs. Once a vampire, she must marry the devil in a lovely summer wedding, probably mid-June. Her father, the professor, knows of the curse and fears for her life (probably doesn't want to pay for the wedding), so he enlists the help of his friend the professional wrestler, Samson, a.k.a. the Silver Maskman. Samson, not the brightest guy, has never really dabbled in the supernatural, but he takes a stab at it. Luckily, beating up the vampires works just as well as it does on mortals and Samson quickly becomes acclimated. In the end he takes the cowardly way out and burns the vampire's tenement castle down. — Mike Nelson Host Segments  Prologue:  Mike and the 'Bots observe a moment of silence.  Segment 1:  The Mads get a strange message in their Chinese food. Mike and the Robots do their tribute to the Three Stooges when their food does strange things to them.  Segment 2:  While Mike and Servo play Stratego, a strange visitor brings a message to Crow.  Segment 3:  Torgo comes to bring Frank to a place of never-ending happiness.  Segment 4:  Dr. Forrester learns of Frank's departure and sings a loving tribute titled: "Whom Shall I Kill?"  Segment 5:  The 'Bots read their letters to the departed Frank, with Gypsy's being a particularly lovely tribute. Forrester is visited by Frank from the ethereal outerworld.  Stinger:  A cop has found two corpses in the garden. Reflections Naturally the big story here was Frank's departure. We had a lot of ideas, most of them centering around Frank getting a better offer from Arby's. For a while we had talked about him getting abducted by aliens who looked identical to him only a lot smaller, who would worship him and cater to his every need. The show had deeper meaning as well, for at that time we didn't know if we were going to be producing shows for Comedy Central again, or anyone, for that matter. If so, there was a certain completeness in doing a Mexican picture as our last one, as we had done a Mexican picture from the same producer as our second film ever for cable. Okay, so it wasn't the first we'd ever done, but it was close. — Mike Nelson