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Movie Summary  Movie: Last Of The Wild Horses:  This horse opera of the Old West has everything but a J. R. Ewing. Duke, a would-be stagecoach robber with a heart of gold, ends up working for the delightfully crusty Remedy. Dashing Duke is then enlisted to help save the wild horse herds that have been raided by rancher Charlie Cooper, thereby depleting the herds. Duke mediates an arrangement between Cooper and the other ranchers to save the wild horses, but Cooper is murdered and Duke is framed for the murder. Duke goes on the lam with their help, still trying to get to the bottom of the murder rap. The real killer is revealed, and Remedy gets himself a mail order bride. Don't ask. Just watch. Or don't. I don't care. Its up to you. — Mary Jo Pehl Host Segments  Prologue:  Mike programs Servo and Crow with different regional speech patterns. Crow thinks they're going to a show, but Servo thinks it's a movie.  Segment 1:  The Mads try to send a matter transference device to the SOL, but an ion storm sends everyone into a parallel dimension. The Mads end up on the SOL and an evil Mike is in Deep 13.  Segment 2:  Forrester and Frank sing the Joey the Lemur song on the SOL. It seems eerily familiar—and just as long.  Segment 3:  Gypsy and Tom are still stuck in the alternate universe, and the evil Gypsy tries to seduce Tom.  Segment 4:  Crow and Mike try to figure out how to fix the alternate universe using the Alternate Universe Manual; and Tom attempts a mutiny. In Deep 13, Tom and Gypsy figure out how to right the situation.  Segment 5:  Mike explains what happens and the friendly alternate universe Mad Scientists visit the SOL. In Deep 13, the real Mad Scientists enjoy the agony booth a little too much.  Stinger:  Hero lady and her weird old man. Reflections Frank and Forrester, in their parallel dimension on the SOL, are actually in the theater in the first couple of movie segments. Trace and Frank did a terrific job. This was a complicated show to write—it required diagrams and flow charts. But we'd been looking for an excuse to do this for years, and we finally decided to jump in with both feet. The "Mirror, Mirror" episode which inspired this theme is one of the funniest Star Trek episodes ever produced. Any time George Takei plays "gutsy sexy and dangerous" is an occasion for high hilarity. Seeing our own Forrester and Frank on the SOL and in the theater was odd and disturbing, although Crow and Mike fit in nicely in Deep 13. Especially Mike, with that goatee and the sleeveless tunic. Rr-r-r-owwwwr-r-r... — Mary Jo Pehl